Writer/producer/director
Sara Rashad is a first generation
Egyptian-American, raised trying to
assimilate her parent’s Egyptian cultural
beliefs with American values. She spends her
summers in Egypt with her family, which
inspired her interest in FGM and eventually
led to her activism. Sara has
traveled—solitary and unfunded—to urban and
rural areas throughout Egypt to interview
women about the psychology behind their
traditional beliefs and practices. She has
gained a thorough understanding of how a
film like TAHARA requires a sensitive and
compassionate approach to both sides of the
issue of FGM in order to be effective.
Sara recently spent four months in Egypt
collaborating with the national FGM task
force comprised of 40 member organizations
dedicated to eradicating FGM. Copies of the
five minute version of TAHARA were
distributed free of charge.
Sara interviewed the Egyptian Minister of
Health, local journalists, FGM activists and
physicians to obtain their input. She also
spent an additional two months in rural
areas with local women to gain a grassroots
perspective. Sara consulted with all of
these groups on the authenticity of the
screenplay. Sara’s diligence in obtaining
the perspective of urban and rural women,
activists, and government workers will make
TAHARA an authentic film.
Sara is the award winning producer of many
USC short films, including “Life is a
Sweet,” which has won “best of fest” awards
for it’s sensitive portrayal of women’s
issues at international film festivals,
including the Montreal World Film Festival.
She also produced “Through Thick and Thin,”
which won the Coca-Cola Refreshing
Filmmaker’s Competition and screened as an
attraction before feature films nationwide.
The five-minute version of “Tahara,” her
producing and directorial debut, received
international acclaim at festivals and won
the support of numerous non-governmental
organizations fighting FGM.
Sara, the writer, producer and director of
the 26:40 minute version of “Tahara,”
(work-in-progress) has already won four
prestigious grants based upon the integrity
of the story: The American Association of
University Women community action grant for
projects promoting equity and education for
women and girls worldwide; The Entertainment
Industry Foundation Grant for projects that
promote health education and awareness for
women and girls; The Paul Robeson
Pre-Production Grant for films which promote
aggressive social change through media
activism; The Roy W. Dean Film Grant for
film projects which are unique and benefit
society and The Caucus Foundation Grant for
student directors.
Sara earned a B.F.A. degree in acting from
the prestigious Cornish College of the Arts,
and has performed in local theatre for 10
years. Her experience acting and directing
actors will allow her to draw authentic
performances from the Egyptian non-actors.
Currently she is enrolled in the M.F.A.
degree program in film production from USC’s
School of Cinema-Television, one of the top
film schools in the world. At USC she has
served as cinematographer, editor and
producer on several narrative films and
documentaries, which has helped hone her
writing and directing skills.
Sara’s ability to adapt to different
cultures and lifestyles has served her well
in demanding production situations. She
traveled through Bosnia during the war,
assisting the producer on a documentary
about war refugees, “Convoy to Bosnia.” She
has also published short stories about her
experiences being a first generation
Egyptian-American and the difficulties
assimilating into two cultures, including
“Walking Like an Egyptian.”
TAHARA—collaborative organizations worldwide
National FGM organizations who will continue
to advise Sara: The Egyptian FGM task force,
The Institute for Research on Women’s
Health, The Nubian Foundation, Forward USA,
Raising Daughters Aware, John Hopkins
University School for Public Health and The
United Nations Population Fund with its FGM
campaign led by super-model Waris Dirie (see
letters in application original application
package).
Hanny Lightfoot-Klein, internationally
recognized FGM activist, also serves as a
mentor on the project (see letter). She has
spent more than 22 years researching FGM.
Between 1979 and 1984, she made three
lengthy treks through sub-Saharan Africa,
where she conducted more than 400 interviews
on various aspects of FGM. The result is
three internationally acclaimed books on FGM.
Her publications will be used in conjunction
with all screening/discussion groups.